论文标题
双摄像头的最佳HDR和深度
Optimal HDR and Depth from Dual Cameras
论文作者
论文摘要
双摄像头系统有助于各种应用的扩散,例如光学变焦,低光成像和高动态范围(HDR)成像。在这项工作中,我们探讨了使用双摄像头设置捕获场景HDR和差异图的最佳方法。 Hasinoff等。 (2010年)已经开发了一个从单个相机捕获的HDR捕获的噪声最佳框架。我们将其推广到双摄像头设置,以估算HDR和差异图。似乎双摄像头系统可以在较短的时间内捕获HDR。但是,差异估计是必要的步骤,这需要在两个摄像机捕获的图像之间重叠。这可能会导致捕获时间增加。为了满足这一相互矛盾的要求,我们提出了一个新颖的框架来找到最佳的曝光和ISO序列,方法是通过在差异误差上的上限的约束下最小化的捕获时间,而在每次曝光SNR上的下限。我们表明,最终的优化问题通常是非凸面,并提出了适当的初始化技术。为了从最佳捕获序列获得HDR和差异图,我们提出了一条管道,该管道在估计相机ICRF和场景差异图之间交替。我们证明,与其他可能的捕获序列相比,我们的最佳捕获序列可取得更好的结果。我们的结果也接近通过捕获整个动态范围的完整立体声堆栈而获得的结果。最后,我们首次展示由密度ISO和智能手机双人相机捕获的曝光堆栈组成的立体HDR数据集。该数据集由6个场景组成,每个场景平均曝光-iso图像序列。
Dual camera systems have assisted in the proliferation of various applications, such as optical zoom, low-light imaging and High Dynamic Range (HDR) imaging. In this work, we explore an optimal method for capturing the scene HDR and disparity map using dual camera setups. Hasinoff et al. (2010) have developed a noise optimal framework for HDR capture from a single camera. We generalize this to the dual camera set-up for estimating both HDR and disparity map. It may seem that dual camera systems can capture HDR in a shorter time. However, disparity estimation is a necessary step, which requires overlap among the images captured by the two cameras. This may lead to an increase in the capture time. To address this conflicting requirement, we propose a novel framework to find the optimal exposure and ISO sequence by minimizing the capture time under the constraints of an upper bound on the disparity error and a lower bound on the per-exposure SNR. We show that the resulting optimization problem is non-convex in general and propose an appropriate initialization technique. To obtain the HDR and disparity map from the optimal capture sequence, we propose a pipeline which alternates between estimating the camera ICRFs and the scene disparity map. We demonstrate that our optimal capture sequence leads to better results than other possible capture sequences. Our results are also close to those obtained by capturing the full stereo stack spanning the entire dynamic range. Finally, we present for the first time a stereo HDR dataset consisting of dense ISO and exposure stack captured from a smartphone dual camera. The dataset consists of 6 scenes, with an average of 142 exposure-ISO image sequence per scene.