论文标题
希腊罗马练习作为亚美尼亚和东罗马观赏艺术的祖先的角色
The Role of the Greco-Roman Practice as a Progenitor of the Armenian and Eastern Roman Ornamental Art
论文作者
论文摘要
我们研究了晚期希腊化的二维，周期性的装饰品（在共同时代，古典时期之前的几个世纪）和早期的罗马（共同时代）古典时期在土耳其的亚洲不同地点发现，并根据其对称特性将其分为数学墙纸组。原始资料来自以弗所，伊兹米尔的露台房屋，Zeugma，现在位于加兹安普的Zeugma博物馆，以及最近在安塔利亚Gazipaşa附近的Antiochia ad Cragum的最近发布的沐浴池。使用伪影我们首先确定每个对称组的发生。然后，我们将这种分布与中东中世纪文化的分布进行了比较，即亚美尼亚人，拜占庭，阿拉伯和塞尔柱克土耳其人，成对计算墙纸分布的欧几里得距离。随后对结果的多维缩放和分层聚类分析证实，亚美尼亚和拜占庭艺术品受到了古典杰作的强烈启发，阿拉伯人的塞尔乔克也受到了古典杰作的启发。
We investigate two-dimensional, periodic ornaments of the Late Hellenistic (some centuries before the Common Era, the Classical Period) and Early Roman (Common Era) classical periods found at different locations in Asia Minor in Turkey and classify them into mathematical wallpaper groups based on their symmetry properties. The source material comes from Terrace Houses in Ephesus, Izmir, from Zeugma, now in the Zeugma Museum, Gaziantep, and from the recently released bathing pool in Antiochia ad Cragum near Gazipaşa, Antalya. Using the artifacts we first determine the occurrence of each symmetry group. Then we compare this distribution with those of the medieval cultures of the Middle East, namely the Armenian, Byzantine, Arab and Seljuk Turks, calculating in pairs the Euclidean distances of the wallpaper distributions. The subsequent multi-dimensional scaling and hierarchical cluster analysis of the results confirm that the Armenian and Byzantine artworks are strongly inspired by the classical masterpieces, as is the Seljuk creation by the Arabs.
