论文标题
音乐解释分析。一种多模式的方法，用于钢琴录音的分数重新合成
Music Interpretation Analysis. A Multimodal Approach To Score-Informed Resynthesis of Piano Recordings
论文作者
论文摘要
本论文讨论了使用数字合成器自动重新合成音乐录音的技术的发展。首先，在理解音乐信息处理（MIP）方法如何考虑声学环境对音乐表演的影响时，确定了主要问题。为此，提出了一个名为“音乐解释分析”（MIA）的新颖概念和数学框架。在拟议的框架中，在“性能” - 演奏的物理动作和“解释” - 表演者希望实现的动作之间做出了区别。其次，论文描述了通过自动重新合成的音乐生产工具民主化的进一步工作：1）它详细阐述了用于历史音乐归档和多模式的机器学习数据集的软件和文件格式； 2）它探索并扩展了MIP技术； 3）它提出了MIA框架的数学基础，并显示了初步评估以证明该方法的有效性
This Thesis discusses the development of technologies for the automatic resynthesis of music recordings using digital synthesizers. First, the main issue is identified in the understanding of how Music Information Processing (MIP) methods can take into consideration the influence of the acoustic context on the music performance. For this, a novel conceptual and mathematical framework named "Music Interpretation Analysis" (MIA) is presented. In the proposed framework, a distinction is made between the "performance" - the physical action of playing - and the "interpretation" - the action that the performer wishes to achieve. Second, the Thesis describes further works aiming at the democratization of music production tools via automatic resynthesis: 1) it elaborates software and file formats for historical music archiving and multimodal machine-learning datasets; 2) it explores and extends MIP technologies; 3) it presents the mathematical foundations of the MIA framework and shows preliminary evaluations to demonstrate the effectiveness of the approach
