论文标题

对增强钢琴原型的调查:增强性是否改善了学习经验?

A Survey of Augmented Piano Prototypes: Has Augmentation Improved Learning Experiences?

论文作者

Deja, Jordan Aiko, Mayer, Sven, Pucihar, Klen Čopič, Kljun, Matjaž

论文摘要

人类一直在开发和演奏千年的乐器。随着技术进步,仪器变得越来越复杂。近几十年来,还在硬件设计,可用性和美观方面引入了计算机支持的创新。钢琴是最常见的数字增强仪器之一。除了电子键盘外,还实施了几种具有不同投影的原型,这些原型在键盘上和周围提供了不同级别的交互性,以支持钢琴演奏者。但是,仍然尚不清楚这些解决方案是否确实支持学习过程。在本文中,我们介绍了针对仪器学习的增强钢琴原型的系统回顾,该原型是基于钢琴专家访谈的四个主题,以更好地了解教授钢琴的问题。这些主题是:(i)同步运动和身体姿势,(ii)视觉阅读,(iii)确保动机,以及(iv)鼓励即兴创作。我们发现,原型在同步主题上饱和,并且有观光,动机和即兴主题的机会。最后,我们通过提出有关增强钢琴系统的建议,以丰富钢琴学习经验以及可能扩大该地区知识的可能性。

Humans have been developing and playing musical instruments for millennia. With technological advancements, instruments were becoming ever more sophisticated. In recent decades computer-supported innovations have also been introduced in hardware design, usability, and aesthetics. One of the most commonly digitally augmented instruments is the piano. Besides electronic keyboards, several prototypes augmenting pianos with different projections providing various levels of interactivity on and around the keyboard have been implemented in order to support piano players. However, it is still not understood if these solutions are indeed supporting the learning process. In this paper we present a systematic review of augmented piano prototypes focusing on instrument learning, which is based on the four themes derived from interviews of piano experts to better understand the problems of teaching the piano. These themes are: (i) synchronised movement and body posture, (ii) sight-reading, (iii) ensuring motivation, and (iv) encouraging improvisation. We found that prototypes are saturated on the synchronisation themes, and there are opportunities for sight-reading, motivation, and improvisation themes. We conclude by presenting recommendations on augmenting piano systems towards enriching the piano learning experience as well as on possible directions to expand knowledge in the area.

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